THE
ARSENIO
RODRIGUEZ
PROJECT
Friday,
June 21, 8p.m. PT
A
Cuban Night at
MOLAA
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The All-Star Ensemble also features the following
artists:
José Caridad Perico Hernández, (Conjunto Casino,
Caravana Cubana)
Jorge Pérez, (Buena Vista Social Club)
Alberto Salas, (Cachao, Cuba LA)
Luis Eric, (Cachao, Cuba LA)
Alberto Tamayo, (Opus 13)
Santiago Santioste, (Cabaret Tropicana, Mayra Caridad
Valdés)
Luis Alberto Ortega (Aramis Galindo)
For tickets or more information on this performance at
MOLAA, call (562) 437-1689 or log on to
http://www.molaa.org/ |
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MOOLA press release
and
ARP flyer
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ARSENIO RODRIGUEZ,
a
descendent of enslaved Congolese, was born on August 30,
1911, in Matanzas, Cuba. Arsenio was blinded by a horse’s
kick at age 7, which earned him the nickname "El Ciego
Maravilloso" (The Marvelous Blind One.) Rodriguez was a
prolific composer and arranger, who wrote and recorded
nearly a thousand songs; many of them major salsa hits even
today.
Considered by many to be the creator of the "Mambo", he was
also the architect of the "Conjunto." The Conjunto is a
revolutionary format that introduces the conga drum, a taboo
at the time, because of its African origins. As composer,
tresero, percussionist and bandleader, Arsenio’s innovations
paved the way for what would eventually morph into "SALSA,"
as we know it today. He lived to be one of the most
important figures in the history of Afro-Cuban music.
LAS ESTRELLAS:
Afro-Cuban jazz trumpeter
ALFREDO "CHOCOLATE" ARMENTEROS, one of the few surviving
band-members of the ARSENIO RODRIGUEZ CONJUNTO, was born on
April 4, 1928, in Santa Clara, Cuba. Chocolate has played
with numerous music legends over the years, such as Benny
More, Tito Puente, Wynton Marsalis, Eddie and Charlie
Palmieri, Dizzy Gillespie, just to name a few, and is
considered to be one of the best improvisers and
interpreters of Latin music. Chocolate is one of the last
musical links between the Golden era of the Cuban "Son" and
contemporary Salsa music. With his passion, his natural
talent, and subtle, yet elegant simplicity on the trumpet,
he has "quietly" earned his place in the pantheon of
Afro-Cuban Music Greats.
JOSE MANGUAL JR .,
is a "Nuyorican" percussionist, vocalist, arranger, and
songwriter and band leader, born January 1948, in Spanish
Harlem, NY, the son of the innovative and pioneering bongo
player Jose Mangual Sr., of the legendary MACHITO AND HIS
AFROCUBANS ORCHESTRA. By the age of fifteen, José Mangual
Jr. was already playing in local groups in New York,
showcasing his talent as a percussionist, and vocalist with
Hector Lavoe and Willie Colon’s orchestra. His skills as a
percussionist and musical director were sought out by the
likes of Juan Luis Guerra, Ruben Blades, Hector Lavoe, Herb
Alpert, Dizzy Gillespie, David Byrne, Celia Cruz, Mario
Bauza, and Mongo Santamaria, among others
NELSON GONZALEZ,
is a "Nuyorican" percussionist, vocalist, arranger, and
songwriter and band leader, born January 1948, in Spanish
Harlem, NY, the son of the innovative and pioneering bongo
player Jose Mangual Sr., of the legendary MACHITO AND HIS
AFROCUBANS ORCHESTRA. By the age of fifteen, José Mangual
Jr. was already playing in local groups in New York,
showcasing his talent as a percussionist, and vocalist with
Hector Lavoe and Willie Colon’s orchestra. His skills as a
percussionist and musical director were sought out by the
likes of Juan Luis Guerra, Ruben Blades, Hector Lavoe, Herb
Alpert, Dizzy Gillespie, David Byrne, Celia Cruz, Mario
Bauza, and Mongo Santamaria, among others .
The genius of Arsenio Rodriguez and
'El Nino’ Rivera, and the 'Descarga' of Israel Lopez Cachao ,
strongly influenced Nelson's music style and skill in
incorporating the Tres into the rhythm and the beat of the
drums.
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